Atomos SUMO19 相扑19 阿童木 说明书下载 使用手册 pdf 免费 操作指南 如何使用 快速上手
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| Physical Specifications | |
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| Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without feet), 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with feet) |
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| Weight | 5.45kg / 12.0lb |
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| Rack height | Optional 3rd party |
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| Mount points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side |
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| VESA mount | 100 x 100mm |
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| Environmental | |
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| Ambient operating temperature | Up to 40° C |
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| Construction and Control | |
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| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
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| Cooling | Actively controlled fan and Heat Sink |
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| Tally light | Rear and front |
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| Multi-function button | Power / lock Screen |
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| Power | |
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| Input voltage | DC 12-16.8v, Battery 14.4V nominal |
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| Operating power | 75W |
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| Compatible batteries | V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended. |
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| Battery Run time (Record) | Battery dependent |
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| Continuous power | Dual Battery input via dedicated 4 pin XLR |
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| DC in connector | 4 pin XLR |
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| Display | |
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| Touchscreen | SuperAtom IPS panel (capacitive touch) |
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| Size | 19 inch |
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| Resolution | 1920 x 1080 |
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| PPI | 120 |
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| Bit depth | 10Bit (8+2 FRC) |
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| Backlight Type | Edge lit |
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| Brightness (cdm2 / nits) | 1200nit (+/- 10% @ center) |
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| Aspect ratio | 16:9 |
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| De-interlace mode | Yes, Graphic burning protection |
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| Color Gamut | Rec.709 |
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| Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
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| Color Pipeline | |
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| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
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| Gamut | BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
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| 3D LUT Display | .Cube Format |
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| 3D LUT Output | Loop out |
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| 3DLUT 50/50 | Yes |
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| Monitoring Modes | Native / HLG / PQ / 3D LUT |
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| HDR output Conversion | Log / HDR to HLG / PQ |
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| Video Input | |
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| HDMI | 1 x HDMI (2.0) 4k p60 |
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| HDMI RAW | No - HDMI Video only |
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| SDI | 2 x 12G & 2 x 3G |
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| SDI RAW | Apple ProRes RAW up to 6k |
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| Bit Depth | 8/10Bit Video / RAW up to 12Bit |
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| Video Chroma Subsampling | 4:2:2 |
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| HDCP copy protection | Not supported |
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| Metadata | |
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| SDI | File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
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| Video Output | |
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| HDMI | 1 x HDMI (2.0) 4k p60 |
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| SDI loop out | 1 x 12G SDI Backwards compatible Autodetection level A and B selectable |
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| SDI Play out | 1 x 12G SDI Backwards compatible Autodetection level A and B selectable |
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| Video Chroma Subsampling | 4:2:2 |
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| Bit Depth | 10Bit Video / 12Bit RAW |
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| Web Streaming | |
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| USB UVC | Optional via Connect 4k |
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| Video Signal Conversion | |
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| HDMI to SDI | Yes - Video and RAW |
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| SDI to HDMI | Yes - Video and RAW |
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| Audio In/Out | |
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| Audio Quality | 24/48kHz |
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| Audio Codec | PCM |
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| HDMI | 8ch 24Bit, input dependent |
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| SDI | 12ch 24Bit, input dependent |
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| Analogue Audio in | 2 x XLR |
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| Analogue Audio Out | 2 x XLR |
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| Speakers | 2 x 5w |
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| Headphone out | 3.5mm 2ch. |
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| Timecode / Sync | |
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| Embedded | HDMI and SDI |
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| Time of day | Yes, Time and Date |
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| LTC | LTC via BNC input in Record mode |
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| Genlock | GenLock in Playback mode |
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| Resolution and Frame Rates (Record, Monitor & Playback) | |
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| 6k | RAW Only up to 30p via SDI Only |
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| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
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| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
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| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
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| FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
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| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
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| FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
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| 1280 x 720p | 50/59.94/60p |
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| Recording CODEC | |
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| CDNG | For SDI RAW inputs Only |
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| Apple ProRes RAW | ProRes RAW, HQ |
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| Apple ProRes | LT, 422, 422HQ |
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| Avid DNxHD | 220x,220,145,36 |
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| Avid DNxHR | LB, SQ, HQ, HQX |
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| Playback | |
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| Playlist | Yes, Create customer play lists from full or sub clips |
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| Loop | Yes, with user customisable in / out markers |
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| Apple ProRes Raw | Yes, recorded clips |
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| Apple ProRes | Yes, with Linear PCM audio |
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| Avid DNx | Yes, with Linear PCM audio |
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| Recording functions | |
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| Pre-roll record | Yes (HD 8s, 4K 2s) - Not available in RAW |
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| ISO Record | Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
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| Switched Program Record | Yes Up to 1080p 60 |
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| Multi Input / Switching | |
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| SDI A/B toggle | Yes, Up support up to 12G SDI per input |
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| Dual Input display | Via Multi ISO input mode |
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| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
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| Input transitions | Auto or manual XML transition |
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| Supported media | |
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| Master Caddy I | Not compatible |
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| SSDmini | Yes BUT ONLY with optional SSDmini handle |
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| File Naming | Unit Name - Scene/Shot/Take, Arri & RED via SDI |
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| File System | ExFAT |
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| On screen tools | |
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| Waveform | Yes, 3 size / Position |
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| RGB parade | Yes, 3 size / Position |
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| Vector scope | Yes, 2 size / Position |
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| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
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| 2 x Zoom | Yes |
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| Focus peaking | Colour selected / threshold setting / colour/ Mono / edges only |
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| False colour | Yes, with Scale |
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| Zebra | Yes, Adjustable |
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| Isolate color channel | Blue Only |
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| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
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| Safe areas | Action and Graphic |
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| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x ,1.8x, 2x |
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| Display Flip | Vertical Only |
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| Onboard Signal Processing | |
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| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
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| 4K UHD Downscale for HD | Loop out - 4K UHD to FHD |
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| DCI Crop | Loop out - 17:9 to 16:9 Crop |
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| Remote control | |
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| HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard |
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| SDI | SDI trigger camera selectable |
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| Serial 2.5mm Jack | LANC control and calibration viaoptional USB to serial cable |
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| Supported Applications | |
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| XML | Cut tag EDL and Multicam with transitions in FCP XML |
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| Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light |
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| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
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| What’s in the box | |
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| Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
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| Optional extras | Sunhood, Grab handle, Tilt feet, UltraSync One, HDMI cables, USB to serial cable, |
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| Warranty | |
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| Standard | 1 year. Extended to 3 years on product registration |
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| Target use / User | |
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| Mirrorless Cameras | On-set, In-Studio, Directors' Monitor |
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