Atomos 阿童木 Shogun Studio 2 双联屏幕监视器 4K 8路高清输出 2路4K监看

76500.00

HDR dual monitor
8-channel HDp60
2-channel 4Kp60 rackmount recorder

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

PRODUCTION READY

Record multiple formats

The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Both ProRes and DNx are robust, easy to edit, color accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Playback and Edit

Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and frame rate.

RACK READY

Master your rack with
Shogun Studio 2

The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

RECORD

Advanced record modes

The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

The ProRes RAW Advantage

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

SCREEN TECHNOLOGY

Class leading screen technology

The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

Shogun Studio 2

HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder

 

Please note:
Specifications are subject to change without notice.
All information correct at time of publishing.
 

MSRP 
USD$16699
EUR$16699
Physical Specifications 
Dimensions (W x H x D mm)447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears), 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
Weight5.0kg / 11lb
Rack height3U
Mount pointsRemovable rack ears and desktop feet
Dual recorderDual Screen, Recorder and switcher
Environmental 
Ambient operating temperatureUp to 40°C
Construction and Control 
BodyAluminium alloy chassis
CoolingActively controlled fans and Heat Sink
Tally lightOn front
Multi-function buttonTrigger dual record
Power 
Continuous powerDual PSU
DC in connectorDual IEC C14
Display 
TouchscreenSuperAtom IPS panel (capacitive touch)
SizeDual 7.2”
ResolutionDual 1920 x 1200
PPI327 per screen
Bit depth10-Bit (8+2 FRC)
Backlight TypeDynamic zoned back light 3", Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits)1500 / 3000 Peak HDR brightness
Aspect ratio16 : 9
Color GamutRec.709
Calibration supportAtomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline 
GammaSony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
GamutBt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display.Cube Format Display Only
3D LUT Down StreamLoop out
3DLUT 50/50Yes
Monitoring ModesNative / HLG / PQ / 3D LUT
HDR output ConversionLog / HDR to HLG / PQ / Dolby Vision
Video Input 
HDMI1 x HDMI (2.0) 4k p60
SDIQuad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel
SDI RAWApples ProRes RAW up to 6k
RJ45 / NetworkService Only
Bit Depth8/10-Bit Video / RAW up to 16-Bit
Video Chroma Subsampling4:02:02
HDCP copy protectionNo supported
Metadata 
HDMIRAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDIFile Name from Arri, RED
Video Output 
HDMI1 x HDMI (2.0) 4k p60
SDI loop out1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling422
Bit Depth10-Bit Video
Web Streaming 
USB UVCOptional via Connect 4k
Video Signal Conversion 
HDMI to SDIYes - Video and RAW
SDI to HDMIYes - Video and RAW
Audio In/Out 
Audio Quality24/48kHz
Audio CodecPCM
HDMI8ch 24-Bit, input dependent
SDI12ch 24-Bit, input dependent
Analogue Audio in2 x XLR Per recorder channel
Analogue Audio Out2 x XLR Per recorder channel
Headphone out3.5mm 2ch.
Timecode / Sync 
EmbeddedHDMI and SDI
Time of dayYes, Time and Date
LTCLTC via BNC in/out Record mode
GenlockGenLock in/out Playback mode
Resolution and Frame Rates (Record, Monitor & Playback) 
6kRAW Only up to 30p via SDI Only
4k DCI23.98/24/25/29.9/30/50/59.94/60p
4k UHD23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 10802k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsFConverted to P and looped out PsF
FHD 1920 x 1080 Interlaced23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p50/59.94/60p
Recording CODEC 
CDNGFor SDI RAW inputs Only
Apple ProRes RAWProRes RAW, HQ
Apple ProResLT, 422, 422HQ
Avid DNxHDDNxHD 220x,220,145,36
Avid DNxHRLB, SQ, HQ, HQX.
Playback 
PlaylistYes, Create customer play lists from full or sub clips
LoopYes, with user customisable in / out markers
Apple ProRes RawYes, recorded clips
Apple ProResYes, with Linear PCM audio
Avid DNxYes, with Linear PCM audio
Recording functions 
Pre-roll recordYes (HD 8s, 4K 2s) - Not available in RAW
ISO RecordUp to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel
Switched Program RecordYes Up to 1080p 60
Multi Input / Switching 
SDI A/B toggleYes, Up support up to 12G SDI per input
Dual Input displayVia Multi ISO input mode
Multiple SDI inputUp to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitionsAuto or manual XML transition
Supported media 
Master Caddy INot compatible
SSDminiYes, BUT ONLY with optional Grab handle
File NamingUnit Name - Scene/Shot/Take, Arri & RED via SDI
File SystemExFAT
On screen tools 
WaveformYes, 3 size / Position
RGB paradeYes, 3 size / Position
Vector scopeYes, 2 size / Position
1 x ZoomYes. 1:1 Pixel mapping for 4k
2 x ZoomYes
Focus peakingColour selected / threshold setting / colour / mono / edges only
False colourYes, with Scale
ZebraYes, Adjustable
Isolate color channelBlue Only
Cine Frame Guides2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides9:16, 1:1, 191:1, 4:5
Safe areasAction and Graphic
Grid markers9 grid
Anamorphic desqueeze1.25x 1.33x , 1.5x ,1.8x ,2x
Display FlipVertical Only
Onboard Signal Processing 
Pulldown Removal24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD Downscale for HDLoop out - 4K UHD to FHD
DCI CropLoop out - 17:9 to 16:9 Crop
Remote control 
HDMIAuto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDISDI trigger camera selectable
Serial 2.5mm JackLANC control and calibration via optional USB to serial cable
RJ45Service Only
RS422Yes, Qualified controllers only
External Device Control 
Supported Applications 
XMLCut tag EDL and Multcam with transitions in FCPX XML
Apple ProRes RAWApple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
Video CodecsAll applications with support for Apple ProRes and Avid DNX in .MOV wrapper
What’s in the box 
Accessories includedShogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 5 x Master caddy II
Optional extrasPowerkit, UltraSync One,HDMI cables, USB to serial cable,
Warranty 
Standard1 year. Extended to 3 years on product registration
Target use / User