• Mix audio together from the stereo and mono-shotgun microphones
• Or set the mixing dial to 100% stereo or 100% mono
• Stepless variable mixing potentiometer
• Swivel mount adjusts aim of microphone up to 30º to the left or right
• +20dB gain booster alleviates noise produced by low-quality camera preamps
• -10dB pad for loud sound environments
• Auto power mode turns microphone on/off with camera
• Low-cut filter selectable at 60 Hz, 3 dB/octave
• Detachable audio output cable
• Integrated shock-absorbing shoe-mount with 1/4”-20 thread
• 10 year warranty with registration

With the SMX-30V, Azden takes their innovation of a switchable stereo/mono microphone to another level by incorporating a mixing dial. The first video microphone of its kind, the SMX-30V lets the user choose from using 100% of the stereo microphone, 100% of the mono-shotgun microphone, or any mix in between. Recording a dialogue scene but want to incorporate some of the environment’s ambience? Mix in a little of the stereo microphone. Recording a musical performance but want to tighten up the center stereo image? Mix in some audio from the mono-shotgun microphone. The possibilities are endless!

The SMX-30V is like having a stereo microphone, a shotgun microphone and an audio mixer all combined into one unit. To achieve this, there are three microphone elements in total: two located at the top, angled at 90º for capturing a realistic stereo image, and one inside a 4.5-inch long interference tube for directional audio capture. Combined with a stepless mixing knob, you have complete control over how much signal from each microphone to send to your camera.

Another unique feature on the SMX-30V is the swiveling shock-mount, which enables rotation of the microphone 30º to the left or right. This is a handy feature any time your sound source is not centered in-frame, allowing you to aim the microphone at your subject, thereby getting the most direct sound possible. In addition, the mount itself is designed to absorb vibrations and isolate the microphone from handling noise. The bottom of the mount allows for attachment to a standard camera cold-shoe slot, or via a ¼”-20 threaded stud.